{"title":"Obras hasta 1500€","description":"","products":[{"product_id":"le-lezard-aux-plumes-d-or","title":"Le Lezard aux plumes d'or de Joan Miró","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAño:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1971\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTécnica:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eGrabado\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTamaño:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e48 x 33 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdición:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e170\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEn 1971, el artista español Joan Miró (Barcelona, 1893 - Palma, 1983) atravesó un periodo de depresión motivado por la inestabilidad política que afectaba tanto a Europa como, especialmente, a España. Esta situación lo llevó a alejarse de su medio habitual, la pintura, para concentrarse en la creación de obras gráficas de una calidad excepcional. Entre estas destacan las ilustraciones realizadas para el libro Le lézard aux plumes d’or, editado por Louis Broder e impreso por Mourlot en París. Aunque el conjunto fue inicialmente concebido para publicarse en 1967, no se presentó hasta 1971 y está compuesto por quince litografías (una de las cuales es la presente) que acompañan un poema escrito y caligrafiado por el propio Miró a lo largo de veintitrés páginas.\u003c\/p\u003e","brand":"Joan Miró","offers":[{"title":"Default Title","offer_id":51191806067031,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7147\/5287\/files\/Joan-Miro-25-05-06-11-27-39-662_1280x_91a34028-ff02-4634-a914-311c19782a9b.jpg?v=1752482779"},{"product_id":"montroig-3-de-joan-miro","title":"Montroig 3 by Joan Miró","description":"\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eYear:\u003c\/strong\u003e 1974\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Lithography\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSize:\u003c\/strong\u003e 76 x 56 cm\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eEdition:\u003c\/strong\u003e 30 + 15 HC + 10 AP\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003eBetween 1971 and 1975, Spanish artist Joan Miró (Barcelona, 1893 - Palma, 1983) went through a period of depression motivated by the political instability affecting both Europe and, especially, Spain. This situation led him to move away from his usual medium, painting, to concentrate on creating graphic works of exceptional quality. It was during this particular period of production that the print Montroig 3 was created. Its title refers to the Catalan town of Mont-roig del Camp, which Miró first visited at the age of 18 to recover from an illness. 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Known for his large-scale installations in which he covered urban structures and natural landscapes with textiles, the artist depicts in this piece how one of Madrid's most iconic monuments would have been transformed. The composition combines a detailed sketch of the structure draped under its characteristic fabrics with handwritten annotations, diagrams, and drawings from different perspectives. 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A dominant, curved black line frames a series of abstract forms, while small touches of color—yellow, blue, orange, green, among others—bring vitality and visual rhythm to the composition. These color points can also be interpreted as references to the firmament, evoking constellations and celestial or mythological elements. 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Esta obra destaca por su riqueza cromática, la superposición de texturas y la presencia de formas abstractas que capturan el espíritu innovador de Gaudí. La composición, llena de energía visual, está formada por figuras geométricas entrelazadas y patrones de puntos suspendidos en el espacio, lo que remite a la estética orgánica pero estructurada del arquitecto catalán. Los colores intensos—como el rojo, azul, verde y negro—se combinan con fragmentos de texto, creando un diálogo entre lo urbano y lo natural. 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The scene depicts a stylized male painter standing opposite a seated nude female figure, in an interaction charged with energy and complicity. The figures, delineated with energetic, distorted strokes, reflect Picasso's distinctive style, which combines expressiveness with a playful sensibility. The work is characterized by an earthy color palette and a gestural technique that conveys freshness and dynamism, evoking a spontaneous and natural moment. 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