Unité 3 by Le Corbusier
Unité 3 by Le Corbusier
Unité 3 by Le Corbusier
Le Corbusier Le Corbusier

Unité 3 by Le Corbusier

  • Year: 1963-65
  • Technique: Hand-signed and numbered color etching and aquatint
  • Size: 45 x 57 cm.
  • Edition: 130 + XXX
  • Precio de mercado : €6.200

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Information about the work

This work belongs to Unité (1963–1965), one of the prominent graphic work series by Le Corbusier (1887–1965), the renowned Franco-Swiss architect and artist.

The original portfolio, published in Paris by Éditions A. C. Mazo & Cie. and printed at the prestigious Atelier Crommelynck, consists of 20 original etchings created between 1963 and 1965. Their printing process began in 1963 and concluded on October 15, 1965, in Paris.

The edition comprises a limited run of 130 copies numbered from 1/130 to 130/130, in addition to 30 extra copies numbered in Roman numerals, from I/XXX to XXX/XXX.

Plate size: 42 x 31 cm.
Work size: 45 x 57 cm.
Framed.
Biography Le Corbusier

Biography Le Corbusier

Le Corbusier (Switzerland, 1887–France, 1965), the professional pseudonym of Charles-Édouard Jeanneret, studied arts and crafts in La Chaux-de-Fonds, worked at Auguste Perret’s studio in Paris, and collaborated with Peter Behrens in Germany, where he established ties with Josef Hoffmann and... Read more
Le Corbusier (Switzerland, 1887–France, 1965), the professional pseudonym of Charles-Édouard Jeanneret, studied arts and crafts in La Chaux-de-Fonds, worked at Auguste Perret’s studio in Paris, and collaborated with Peter Behrens in Germany, where he established ties with Josef Hoffmann and the Deutscher Werkbund. He pursued a career as an architect, painter, and art theorist, encompassing architecture, urban planning, painting, and art theory.

In painting, he explored styles including Cubism, Orphism, and Fauvism, using color as a creative laboratory that informed his architecture. Together with Amédée Ozenfant, he also founded the Purist movement and the journal "L’Esprit Nouveau". His architectural approach rejected historicist styles and conceived of the house as a “machine for living,” based on the interplay of volumes under light and the use of reinforced concrete, plate glass, and artificial materials.

His most notable buildings and projects include the Pavillon de l’Esprit Nouveau in Paris, the Villa de Monzie in Garches, the Villa Savoye in Poissy, the Swiss Pavilion at the Cité Universitaire in Paris, the Unité d’Habitation in Marseille, the Notre-Dame-du-Haut chapel in Ronchamp, the Monastery of La Tourette, and the urban plan and Capitol Complex buildings in Chandigarh, as well as proposals for the League of Nations in Geneva and the Palace of the Soviets in Moscow. He also published theoretical works including "Vers une architecture" (1927), "La maison des hommes" (1942), and "Quand les cathédrales étaient blanches" (1947).

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