Joan Miró's El lagarto de las plumas de oro
Joan Miró's El lagarto de las plumas de oro
- Year: 1971
- Technique: Hand-signed lithograph
- Size: 49 x 35 cm
- Edition: 50
To develop his abstract compositions, Joan Miró (Barcelona, 1893 - Palma, 1983) frequently resorted to the surrealist technique of automatism. This method seeks to free the expression of the subconscious, suppressing rational control during the creative process. Subsequently, the artist intervened on what was spontaneously generated, adding elements that give meaning to the work without necessarily reaching figurative representation. A clear example of this approach is The Lizard with Golden Feathers, where the superimposed forms suggest abstract beings or eyes, in keeping with the fantastic title of the piece. The work also stands out for its vibrant use of color and the combination of abstract forms, merging the freedom of surrealist automatism with a marked compositional precision of a geometric nature.
The work can be found in the Joan Miró Catalogue, illustrated books, page 370.