In his paintings of slippery rocks, foam, and water, he doesn't depict a haphazard portrait, but rather the shapes the sea reveals to him. At different times and in different locations, he contemplates and reflects in detail. Through the process of i...
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In his paintings of slippery rocks, foam, and water, he doesn't depict a haphazard portrait, but rather the shapes the sea reveals to him. At different times and in different locations, he contemplates and reflects in detail. Through the process of ignoring certain elements of the real landscape and adding some from his own imagination, of standing in one place and contemplating for hours, he is able to create the most expressive and personal compositions, in which nothing is left to chance. The result is a landscape that has been observed, assimilated, and reinvented. A real place that has been transformed by his eyes into a dialogue that invites the beholder to become a participant.
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