P-27-10
P-27-10
P-27-10
P-27-10
P-27-10
P-27-10
P-27-10
Rafael Canogar Rafael Canogar

P-27-10

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€309,92 EUR
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per
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  • Year: 2014
  • Technique: Engraving
  • Size: 55.7 x 81.5 cm

Pay in 4 interest-free installments of $133.12 with

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Information about the work

Rafael Canogar (Toledo, 1935) is a key figure in the evolution of contemporary Spanish art. Co-founder of the El Paso group in 1957, he was instrumental in renewing the national visual art scene with an Informalist language of great expressive power. His career, marked by constant transformation, has oscillated between abstraction and figuration, always with a recognizable personal imprint. In the 1960s, his painting became critical and figurative, incorporating elements of realism and Pop art to address social themes. From the 1970s onward, he returned to abstraction, reflecting on media, materials, and pictorial space. His graphic work, like his painting, displays an energetic style, where color, form, and matter dialogue with geometry and emotion. In "P-27-10," he confirms his capacity for synthesis between the material and the conceptual.
Biography Rafael Canogar
P-27-10

Biography Rafael Canogar

Toledo, 1935. Rafael Canogar trained in Madrid in the studio of the painter Daniel Vázquez Díaz, alongside fellow artists Cristino de Vera and Agustín Ibarrola. His early work was marked by an undeniable following of the Cubism of Picasso and Braque ... Leer más

Toledo, 1935. Rafael Canogar trained in Madrid in the studio of the painter Daniel Vázquez Díaz, alongside fellow artists Cristino de Vera and Agustín Ibarrola. His early work was marked by an undeniable following of the Cubism of Picasso and Braque and the Surrealism of Joan Miró, before evolving towards Informalist abstraction. After attending classes with models at the Círculo de Bellas Artes in Madrid, he participated in the creation of the El Paso group (1957-1959), with his first exhibition at the Buchholz Gallery alongside Manuel Millares, Antonio Saura, Luis Feito, Manuel Rivera, Pablo Serrano, Juana Francés, and Antonio Suárez. Technically, his early work was a combination of oils with different types of tempera, to which he later incorporated photography. In the early 1960s, he abandoned Informalist art to focus on reality, reducing his chromaticism to a play of black and white, and gradually returning to the abstraction he had discovered in Paris. His technique continued to evolve through experimentation with materials such as polyester, acrylic, wood, and fiberglass, with which he composes his characteristic collages, works with a vocation for sculpture. His career as an artist has been rewarded with public and critical acclaim in numerous solo exhibitions, and he has been included in collections such as the Museo Nacional Centro de Arte Reina Sofía, the Museum of Spanish Abstract Art in Cuenca, MoMA in New York, the Banco Santander Central Hispano Collection, and the Vatican Museums in Rome, among many others. He has also received countless awards such as the National Prize for Plastic Arts (Madrid, 1982), the Commandery of the Order of Isabella the Catholic (Madrid, 1991), and the Gold Medal for Merit in the Fine Arts of the Spanish State in 2003.

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Economic information

Revaluation
Blue Chip
Status
Consecrated
Ranking
Top 150
Auction sales 36 months
+255 thousand euros
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